Podcast Time!

I’ve done a couple podcasts recently. Check these out!

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Another Year, Another Readercon! (My panel schedule for 2018).

Wow, time sure flies! It seems like just 360 days ago since my last Readercon post. Guess what – TIME FOR ANOTHER ONE YEEEEAAAA! I’ll be on several panels at Readercon 29 this year. So excited! Be sure to ask for a business card (they have badgers on ’em, designed by yours truly).

BusinessCard

Here’s a rundown:

SATURDAY!

10:00 AM • Defying Colonial Notions of Authenticity • Phenderson
Djèlí Clark, Pablo Defendini, José Pablo Iriarte, Darcie Little Badger,
Ken Liu

In an interview for the blog Dive into Worldbuilding, GOH Ken Liu
discussed specifically wanting to go outside Western expectations
in writing a fantasy novel that uses Chinese foundational narratives
without writing a “magical China” novel, which he says often leads to
problematic and Orientalist misunderstandings. On Tor.com, Tochi
Onyebuchi says GOH Nisi Shawl’s novel Everfair is an Afrofuturistic
masterpiece even though it is historical fiction. How do these and
other narratives point the way toward decolonizing the future by challenging
and complicating conceptions of the past?

 

SUNDAY!

10:00 AM • Writing About Research and Discovery • Judith
Berman, Jeff Hecht, Kathy Kitts, Darcie Little Badger, Eric Schaller

Science fiction frequently features scientists and academics who are
doing and publishing original research—and sometimes gets it hilariously
wrong. Panelists who have done original academic and scientific
research will explain how to accurately represent researchers and their
processes and challenges.

12:00 PM • Solarpunk for Everyone • Michael J. DeLuca, Tom
Greene, Marissa Lingen, Darcie Little Badger, T.X. Watson
Solarpunk has become established as a progressive, proactive, optimistic,
climate-aware, politically aware field of speculative fiction. As
solarpunk authors imagine the future, how can they make sure that
future includes everyone? How can solarpunk develop and showcase
remedies not only the climatological errors of the present and past but
the social flaws of oppression, bias, and exclusion?

2:00 PM • Researching the Other • Rose Fox, Darcie Little Badger,
Mimi Mondal, Nisi Shawl, Kestrell Verlager
With Writing the Other, GOH Nisi Shawl and Cynthia Ward established
that writers have permission to write what they don’t know, as long as they do it with forethought and care. But when is it enough to check out
a library book, and when is it time to hire a sensitivity reader? This panel
will go beyond 101 to discuss the different types of research required by
different aspects of writing outside of one’s experiences.

 

As you can see, this year will be packed full of SCIENCE, so be sure to bring your lab coat!

2017 Short Story Roundup!

It’s 2018, y’all! That means …

2017 SHORT FICTION ROUNDUP TIME!

In 2017, I published three short stories. Woo! Subjects include DEFYING BIG OWL, HARBINGER OF DOOM, VERY BAD WENDIGO MOVIES, and APACHE VICTORIAN GHOSTS! Word lengths range from about 3400 to 5000 words, they’re eligible for the Nebula, Hugo, and other awards for short spec fiction. Let’s round ’em up!

mythic_delirium_3_3_cover_web

THE FAMINE KING

Mythic Delirium

Story link: https://mythicdelirium.com/featured-story-•-february-2017

Irene is tormented.
By her guilt.
By her desire.
By the shadows and the voices.
And by a sinister new wendigo movie called THE FAMINE KING.

This is one heck of a weird story, and I love it. The monster is literally a bad wendigo movie.

It begins: I was a seven-year-old prisoner of sleep paralysis. My eyes, which could move side to side like marbles in a doll’s head, observed a human silhouette behind the closed bedroom window. Face pressed against the glass, it said, “Hey, Irene. I have a secret for you. People rarely starve like they used to.” 

(Continue here!)

The Dark Issue 29

THE WHALEBONE PARROT

The Dark

Story link: http://thedarkmagazine.com/the-whalebone-parrot/
Podcast link: http://thedarkmagazine.com/?powerpress_pinw=2712-podcast

Can two Apache sisters and their kitten survive the most haunted island in the North Atlantic? A story of loss, family, and tragedies befitting the Reef of Norman’s Woe.

I discuss the bleak history underlying Emily’s story in this thread:

It begins:

[Emily Riddell’s Journal]

June 26th 18–– A.D.

Today, on a teetering skiff, I reached Whalebone Island. Mister Franklin crosses the inlet twice a month to deliver mail and supplies. In three years, he has never seen Loretta’s face. She hides behind a veil.

Why?

(Continue here).

The Whalebone Parrot was also reviewed by A.C. Wise in Apex Magazine’s “Words for Thought”: https://www.apex-magazine.com/words-for-thought-october-2017/

StrangeHorizons_July2017

OWL VS. THE NEIGHBORHOOD WATCH

Strange Horizons

Story link: http://strangehorizons.com/fiction/owl-vs-the-neighborhood-watch/
Podcast link: http://strangehorizons.com/podcasts/podcast-owl-vs-the-neighborhood-watch/

When Big Owl, harbinger of doom, moves into her little Appalachian neighborhood, a professor races the clock to stop the doom He portends …

This story is a meditation on hope. It also features Big Owl, one of my favorite morally ambiguous creatures.

Owl vs. The Neighborhood Watch was reviewed by Charles Payseur in Quick Sip Reviews: http://quicksipreviews.blogspot.com/2017/08/the-monthly-round-july-2017.html

It begins: When Nina first met Owl-with-a-capital-O, harbinger of death, destruction, and despair, He resembled Athene cunicularia, a wee burrower. Owl perched on a twig outside her bedroom window as Nina toiled over seventh grade geometry homework. Between questions eleven and twelve, she glanced outside; yellow eyes met brown.

(Continue here).

CW: Attempted suicide (by a member of the main character’s family) is briefly mentioned.

 

Weeeelll that’s it for short fiction. Stay tuned for my PUBLISHED COMICS POST next week! ❤ Thank you for reading.

Little Badger’s Readercon Schedule!

I’ll be at Readercon 28 this year! In addition to a live reading of my wendigo-themed story, The Famine King, I’ll discuss horror, #ownvoices, terrific myths, and the politics of villains. Interested? Of course! You’ve never heard a Ph.D.-possessing badger talk about these matters before! Here’s my schedule:

THURSDAY, July 12th

8:00 PM, 6, Footsteps in the Dark: The Sensory Range of Horror.
F. Brett Cox (leader), John Langan, Darcie Little Badger, Elsa Sjunneson-Henry, Paul Tremblay.
Horror is frequently thought of as a visual medium, and is often adapted for film and television. However, other senses are vitally important to the development of horror stories, and the experience of fear for the reader. Consider Josh Malerman’s Bird Box, which erased sight for the main characters, or the pounding in Shirley Jackson’s The Haunting of Hill House. Consider also the recent uptick in films with disabled characters, such as the Deaf writer in Hush and the blind antagonist in Don’t Breathe. This panel will explore these and other works of multisensory horror, and address how writers can create vivid horror experiences for readers.

9:30 PM, A, The Famine King
Darcie Little Badger reads “The Famine King.” Published by Mythic Delirium (spring 2017), this short story is a piece of weird spec fiction with a Native, mentally ill protagonist. It was recently highlighted in the Outer Dark podcast and A.C. Wise’s “Women to Read” blog series.

FRIDAY, July 14th

11:00 AM, 5, The Politics of Villains
Maria Dahvana Headley (leader), Darcie Little Badger, Naomi Novik, Cameron Roberson, Terence Taylor, Gregory Wilson
The villains of speculative fiction (and fiction in general) often reflect the biases of their times. Race, sexuality, disability, and gender have all been and continue to be used as shorthand for evil; some supposedly villainous physical traits, such as hooked noses on witches, have been around for so long that many modern authors don’t even realize they’re rooted in bigoted stereotypes. In response, some authors have deliberately created villains who stand in for oppressive power structures. This panel will dig into the concept of a villain, a person who embodies evil or wrongness, and discuss whether it can ever really be separated from the writer’s culture-influenced understanding of which categories of people are most likely to be villainous.

3:00 PM, 6, Horror Fiction Is Where I Put My Fear (and Lust, and…)
Teri Clarke, Gwynne Garfinkle, J.D. Horn, Darcie Little Badger, Elsa Sjunneson-Henry
When we peel back the monsters in horror, a wealth of social and psychological complexities lie beneath. Tananarive Due writes in her essay “The H Word: On Writing Horror,” “Horror fiction is where I put my fear that harm will come to my son because his skin is brown. Horror fiction is where I put my fear of my own mortality.” Kristi DeMeester, in “What Horror Taught Me About Being a Woman,” discusses her delight in discovering forbidden, gory sex scenes in Anne Rice’s work. Our panelists will discuss how women, people of color, and others whose concerns get little mainstream airtime can use horror as a way to examine and explore cultural and personal anxieties and longings.

5:00 PM, 6, The Global Roots of Speculative Literature
S.A. Chakraborty, Haris Durrani, Robert Killheffer, Darcie Little Badger, Susan Matthews (leader)
Discussions of “genre classics” tend to focus mainly on modern Western works. This panel will discuss proto-genre narratives from antiquity and the pre-modern and early modern era in the world beyond Western Europe, including not only myths and legends but early authored works such as the Hamzanama (The Adventures of Amir Hamza), the Baital Pachisi (Vikram and the Vampire), and Fengshen Yanyi (The Creation of the Gods).

SUNDAY, July 16th

10:00 AM, 5, #Ownvoices Without Limiting Diverse Creators
Steve Berman, Tom Greene, Darcie Little Badger, Hillary Monahan, Mark Oshiro (leader), Elsa Sjunneson-Henry
Corinne Duyvis created the #ownvoices hashtag to celebrate stories of marginalization told by those with direct personal experience of it. But well-meaning editors and agents focusing on acquiring #ownvoices work, at a time when marginalized authors are still dramatically underrepresented on the shelves, have left some writers wondering whether their only path to publication is writing #ownvoices stories. How can those with power in the industry support marginalized creators in telling stories of all kinds, in ways that increase their options rather than setting up new hurdles and limitations, and dismantle the system that forces marginalized writers to compete with one another for a few spots on a publisher’s list while those with the most privilege still get most of the contracts, funds, and promotion?

I made some sweet business cards for the event. Hope they arrive in time. Ooooh shiny.

BusinessCard

My debut comic is ALIIIIVE!

Hey, y’all! Do you wanna read a comic about two Lipan teens who save their home from a sinister southern belle? OF COURSE YOU DO! “Worst Bargain in Town,” my comic about love and hair, has been released in Moonshot Volume 2! If you’re interested in the comic’s inspiration and creation, I was recently interviewed for Sequential Tart.

Here’s a one-page preview (intriguing!!)

WorstBargain_Preview

Decolonizing Science Fiction And Imagining Futures: An Indigenous Futurisms Roundtable

FYI, I participated in this incredible roundtable discussion for Strange Horizons. We talk about Indigenous science, comic conventions, certain indefensible failures of mainstream SFF, hopeful futures, and more! Check it out:

Decolonizing Science Fiction And Imagining Futures: An Indigenous Futurisms Roundtable In Strange Horizons (Issue 30, January 2017) with Rebecca Roanhorse, Elizabeth LaPensee, and Johnnie Jae